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Thoughts on “Immediacy and its discontents”

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This is a brief analysis of “Immediacy and its discontents”, an interview with Anna Kornbluh, author of the 2024 book  Immediacy, or the Style of Too Late Capitalism . My writings originate from a long message in a Messenger group, in reply to a friend who asked more about its action items and conclusions. The irony of the origin of these writings is not lost on me! DS: I don't necessarily disagree with anything she says, but I feel like I read 15 minutes of content for almost no actual takeaways. What action items or conclusions does she actually say here? This essay contains no action items except the sense that all proposed analytic frames ask that you buy into them as explanatory and critical tools. The conclusion is that much of the aesthetic in our current day around authenticity and low barriers to art purport to have a democratizing effect in art when it really has a popularizing and anti-intellectual effect.  Where I read into it is this following observation: me...

Prelude to Pygmalion

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Every man becomes a philosopher when met with beauty. Especially, when he has the intimate experience of having “created” a woman. Yet, it was God who created all. This illusion can only be sustained for so long! Amazing how an art song ( The Wind at Dawn , Edward Elgar) was in many ways a prelude to me using AI technology to bring a whole mess of delights to life.  I created this with dingboard , using assets generated by Bing Image Creator . My inspiration was from seeing (1) many examples of effective visual storytelling on social media using AI-created art, (2) feeling sucked in at times by beautiful AI images, often in ads and often depicting women, and (3) seeing a Twitter mutual reach thirty thousand (30K) followers. It made me realize, I might do well for myself—if not materially, at least in my own creativity—to more freely use various tools at my disposal to create collages of all kinds (text, image, video) that express the wealth of my vibrant life of mind. Why hold back...

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